Some  thing

工業科技的發展下，「透明」的存在，是「繪畫」實現獨立的自身一大關鍵之一。「繪畫」將對象或對象物（具象、抽象、概念），設為描繪（重複）的原始目的時，那繪畫自身成為被描繪的對象也就不是不可能的。同時，當繪畫成為獨立的自身存在後，「繪畫」作為顯現現實生活的一部分的方式之一，也因「繪畫」可以完全塑造一個與現實相背而馳的世界觀，才有更多不可被預測的實體和概念，可以被形塑出來。
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對筆者而言，使用繪畫作為一個轉化的過程，是緩慢的。也正因為這樣的緩慢，更能讓筆者自身觀察到，更多生活周遭細微的差異，與繪畫自身中可以觀看到有趣的something。此次的展覽，綜合了筆者兩年間從「繪畫」中得到的細微觀察與反思，透過這次別於以往的空間展出，讓前來參觀的人，可以慢慢的、輕鬆的感受，一個曾經不存在但存在的一部小品。

Some  thing

As the industrial technique develops, the existence of “transparence” is one of the key points that fulfills the independence of “paintings.” While paintings are designed to depict subjects or objects (concrete, abstract, or maybe concepts), it isn’t impossible for the paintings to become the ones depicted. At the same time, while paintings become an independent existence, it becomes a way of presenting reality. More unpredictable matters and concepts can be sculptured, constructing a view that might be opposite from what we call “reality.”

For the artist, utilizing paintings as a transformation is a slow process. Sinceit is slow, it enables the artist himself to observe the subtle differences of the surroundings and the “something” that can be perceived in paintings. This exhibition combines subtle observations and reflections the artist has gained in the past two years. Through this exhibition which is on display in a space unlike any other before, we hope that viewers can slowly and relaxedly enjoy this cozy work that once doesn’t exist but exists.

art criticism

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